Thursday, 17 November 2011

The Akkia Review

    Halloi (Helo), and Be welcome.

    The Akkia language sounds:

    Aabac :: a ā ä ạ b c d e ē ë f g h i ī ı j ĸ k l m n ń o ō ö p q r s t u ū ü v w x y ý ġ ż z

    And this is the Akkia alphabet – phonetic ::
(with IPA symbols; thanks for the people who helped and have shown me the right sites to do this)

     a /a/, ā /a:/, ä /æ/, ạ /á/, b /b/, c /s/ or /k/ (or in compounds), d /d/, e /e/ or /ɛ/, ē /e:/, ë /ɘ/, f /f/, g /g/, h /h/, i /i/, ī /i:/, ı /ɐ/, j (a short /i/, or /ʐ/ or /ʒ/ or /dʒ/ or /h/), ĸ (a /k/ as a pause), k /k/, l /l/, m /m/, n /n/, ń (as /n/ but tonic), o /ɔ/, ō /ɔ:/, ö /ɵ/, p /p/, q (always as /kw/), r /r/, s /s/, t /t/, u /u/, ū /u:/, ü /Y/, v /v/, w /w/, x /ks/, y [a short /i/), ý (a short /i/ but tonic), ġ /χ/, ż /dz/, z /z/.

    Vowels: normal /a/, special (the ı sounds [ɐ]), tonal ạ (the ạ with a dot below is a tone above /á/), demivowels (j, n, v, w, y), tonic (ý, ń), ´acute (á) but not tonal except in letter a /á/, `backtick (à) but not tonal, long (ā, aa), and umlaut (ä /æ/, ë|ö /ɘ/ and /ɵ/, ü /Y/; ë and ö exchange as they are almost the same sound).


     Diphtongues may have up to 5 vowels, but they have special rules and phonological changes in way to pronounce properly. Tonal á makes compounds in vowel clusters, /aá/ (rising, called low-high) and /áa/ (falling, called high-low).

     Digraphs: (all double consonants call the stress onto the vowel just before it) bb, cc , dd, ff, gg, ch /ʃ/, or /tʃ/ or /χ/, gh (f), jj (as a jdj in /ʐdʐ/ or /ʒdʒ/), ĸ-vowel /k'/, ĸk (a pause before the /k/), kk, ll (always stressed), nn (long), ng /ŋ/, nń (low-high), ńn (high-low), pp, ss, sh /ʃ/, sch /sʃ/, tt, vv, ww, ýy (long, same as /i:/), zz /z:/ or /dz/.

     Special letters: ĸ (pause), ġ (a strong sound, sometimes stronger than /χ/), ż (the dża sound is /dz/).

    I'll do it for Oka as soon as possible, and post this in here.

    Pronoun list: su|a (I, me), obba (you), ummu (s|he), iylki (it), me (me), ma (I/male), ioe (we), sana (we), hana (you, plural), zana (they), anna (someone), nga (no one), innaka (a topic person), do (you, hon), sha (house, your family), aka (e|o) (you, genderless, but you may use e|o to define your gender, only if a person’s close relation to you speaker).

     Special note :: you double n with sanna, hanna, zanna, to indicate local (omae, native).

     Women might use a number of special pronouns, like anata (indefinite person), or use iylki (it) to refere to a person, or even to use vi (I, female only) mutation; together with extense use of elle mutation. This happens in three degrees of female expression of self, from the myth of the sacred feminine – Maiden, Mother and Crone – to revere the three so different aspects of women's life, and permits a huge use of special mutations in terms of vocabulary, only found as a male counterpart in the male version Dealer's free mutation, as business needs more than formality.


    The Akkia Review

    Type: artlang, fictional, for oracular conversation, terrant
    Aesthetics: it draws vulcabulary from every other of Action Tale's languages, as interspeech, oka, ly'ène, draka, or others, but in phonology it sounds like a mix of finnish, japanese and arabic, naturalistic terrant, based on the servitude from the wakka nation to every other human nation, on our lovely Earth and or beyond
    Phonetic inventory: as seen above
    Romanization: as seen above

    Phonotatics: (C)(C)(C)V[-ll-](vc)(C)(C), where [ll] double-l may be alone, and (vc) = vowel clusters (up to 5 vowels), and a double consonant may or may not be counted as one, or be in separated syllables
    Phonological rules: no classical stress syllable, male dealer's mutation, female special mutations

    Morphology: aglutinative, up to whole sentence level

    Syntax: the following modifies the previous, V2, topic firsts, factual final verbs, it permits all five morphosyntatic alignments including tripartite, declension degree of mutation, ajd-n / suggestive n-adj, particles post, relative clauses cumulates left (in a partially left-branch tendency), argument dependant

    Word Order: moderately free – topic/relative – verb – main clause – comment (or: factual final), as the basic sentence structure, but there are main other possibilities, specially for different morphosyntatic alignments

    Tenses: Present (-a, and Personal 1st-person -o/-io; pure form or dictionary form of the verb), Simple Past (-tu, -u, or Past Participant -ou/-s), Continuous (-nta/-s), Participant (-s, -es), Probable (-i), Purpose (-on, shows intention, purpose, goal, proper, direction, change, beneficiary, together with suggestion), and Temporary (-re, not permanent actions, or with inherent no-time relation).
    Additional tense: Nominal Personal (-su, create new words from personal)
    Auxiliary and Particles: various, "da" as V2, all particles post
    Final factual copula: dil-a (present), dul-a (past)
    Negative verbs: ending -en, it forms negative meaning
    A Comment would right branch, that is, to be after main clause
    Numbers: there's no simple plural, and plurals usually create a new word; moderate use of counters
    Future auxiliary verbs: vai, asta
    Imperative: -te, te
    Doer/Personifier: na (article, pre)
    Inclusive: -(a)-x
    Exclusive: -óc, óg
    Relative pronoun (that, which): no
    Possessor: shi
    Possession: di/-a
    Bias particles: involve what's spoken with the opinion from the speaker
    Politeness: moderately formal
    Emphatic Particle: sa
    New information Particle: wa
    Question/Answer: -ka/-ko
    Locus (in, at, on): to

    Declension cases: the Nama – pure form (dictionary version; not a case), the Accusative (only one; [a~e]-ta, -le), the Dative/Lative (to, for narasalama; -i, +ni), the Genitive (possession, component or participation; -n (separate pronunciation), -in, -sawa), the Trigger (focus, that which triggers sense; [u]-a, -ea, -ia, -ya), the Partitive (indefiniteness; -ta, -[k]-iya), and the Equative (equality, or sameness; -e, +e)

    Irregular formations: you speak about yourself to be more polite.

    So, this is the resume Akkia review.

Thank you for your pacience, hope you're enjoying your reading, and,...
        ,... Stay Plugged.

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